Whatever you select is in your hand in first person: sticks, flint, tinder, rope, boughs and every other item with a model, small things in a loose fist and long ones held near one end, where you used to see empty gloves. Holding nothing, your hands hang at your sides below the view while you stand and walk, and come up only to do something: sprinting, punching, reaching to pick something up.
Look down on foot and you see your own chest, legs and boots. Your head and hair stay out of the view, and your shadow’s head nods with where you look. Only one pair of arms is ever drawn: while your hands are up, the body’s own arms leave the view, so there is no second hand on the stick at a run.
A held stone was reworked across November 5 and again on November 8. It now sits cupped in your palm: the palm is turned up under it, the wrist is dropped a little and the fingers wrap round its far side, where it once balanced on flat fingertips. It settles into your hand over a moment instead of snapping into place. Flint and other small things are held the same way, and fiber and tinder are squeezed in the fist instead of lying on an open palm.
Still off: the tip of the thumb hovers a little above the stone instead of pressing across it, and running with your eyes down about 60 degrees the boots mostly leave the view.
